I think the framing of this is the exact reason he strikes a chord with so many young men who yearn for connection - the same young men who would otherwise be gravitating toward more indulgent and problematic forms of entertainment. He often explores the way that pain creates a constant feeling of loss within his characters, so much so that time itself feels cruelly punishing. Yes, there are moments in his hyper-serious oeuvre that either underwhelm or even strike a little bit tone-deaf, but I’ll go to bat for both the depth and ambition of his work any day of the week.įor while he’s often called a cold or cerebral filmmaker, I instead have argued that he is genuinely trying to show the pain of paralyzed emotion. And I maintain that Inception remains one of the smartest, boldest blockbusters in recent memory. From the moment he jumped onto the scene with the highly inventive Memento to the wonderful magic trick of The Prestige, he’s brought nothing but the entertaining goods. Now, internet discussion being what it is, I always feel like I have to qualify that I really love Nolan’s work.
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